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April 28, 2011

The Left Handed Journal

About ten years ago, I came up with the following idea:  what if I wrote with my left hand?  I suspected my penmanship would improve over time as I became more versatile with it, but would what I wrote and how I wrote about subjects change?

As a general rule, the left hand is connected to the right hemisphere of the brain and the right hand is connected to the left hemisphere of the brain.   Would this be noticeable in my writing?  I don't know.   So in April I begin this rather unscientific study by, most mornings, just simply writing in a big sketch book with my left hand.


April 4th, 2011

The idea that my writing, my penmanship,
will improve is a hopeful one. Another
one is the idea that I'll tap some
otherwise unused portion of my
brain because my left hand is
wired differently than my right.
Science supports the idea
of different hemispheres connected
to left and right, but surely it
it thinks much, much faster.  It
might even be faster to just right
write with my right hand.

       
April 5th
There's a clarity at 4 in the
morning that I'm afraid of, as if
I don't deserve it.  My thoughts
should be muddy; my heart should
feel the rush of nerves and at
4, that is all gone--my mind
a clear pool; my heart thumping
in my chest like a dripping faucet.


April 7th
They've closed the street
to deal with a water break.
The house across the street
is empty, condemned.  I'm
pretty sure it was drugs. The
sun breaks through the gray clouds
that hung over the city like a
wet cardboard box-- rolls, layers
that dropped water some time
during the night like a visit
from the tooth fairy.


April 9th
The muscles still feel as if
I am not in control.  I know what
letter I want to form, but
the nerves are just not formed.
This is a stroke victim's experience.
A breeze blows and flaps
the page and I think of my nephew
7 years old and just now learning
the shapes -- How is it we
learn to make shapes then forget
how it happened?   Rote?


April 10th
When did I become such a serious
know-it-all?  I find myself at
parties and listen in on my
own conversations and I'm so
serious--there is no small talk,
no weather speak, no kid update,
even celebrity dish. It's let me
tell you about publishing, the
finer details about writing bios,
blah,blah, blah.


April 11th
Some mornings I just wake-up
grumpy -- as if my mood is some
complex weather pattern, some
system that is waiting for mood
calculus to be invented.   And
then I finish my 2nd cup of
coffee and all seems right
with the world; the stormfront
breaks; the wind dies down; the
sunlight rights the world.


April 12th
My bed is comfortable, yet at about
8 hours my lower back begins the
ache.   A strange word ache--it really
does describe what it is.   Yes, I
know there is a word for that, but
I don't want to get up and unearth
a dictionary just so I spell it
right.
I'm willing to sit with the left hand
for a bit, pushing through the resistance
that I notice because this is not
the right, write, hand.


April 13th
In the morning, the street revs
up like a 50's James Dean--and
then it's, "Go!" We always hurry;
we spin and have to get where
we have to get.   Destination is
the work day; the reason I
am sitting here.  Maybe I'd be
awake but without the structure
of the timeclock, the calendar,
I might've drifted back to sleep.


April 14th
I look forward to the
meditative concentration
bad penmanship requires.
As if the lack of facility
is some way of clearing my mind--
as useful as breathing in clear
breath and breathing out
black smoke--in a metaphorical
way--Breath in-smoke out;
breath in-smoke out.


April 15th
At the end of the day, which
is true, on the end of the week,
which is arbitrary--and really is
just arbitrary because I start
my week on Monday.  Others
start their week on Friday.
Is it tradition, a throwback
for religion--sabbath for some--another
day makes it Sunday--and we mark
that day for Christ.   What if
neither day really matters--
just 2 days off.


April 16th
A par of tiny birds fly
up to the tip-top of the tiny
mulberry tree.   I look at its
cacophony of branches, no
dominant stump.  By an arborist
friend's best guess, they actually
cut and buried the stump and
the tree the tiny birds chirp
from is just a conglomeration
of growth from one stump.
We're going to have to thin it out
some winter but not right
now.


April 16th17th
A police car pulls a U-turn
in front of the house, flips his
lights on, and roars down the street.
I look out and now see 3 cars;
their lights--red and blue-- spin
as if announcing, "Lookie here.  We
caught something bad."   Maybe
they have? How strange that I'm
suspicious and my baby sister--a cop--
probably sees the man walking
down the street and imagines a  string
of violations and questions his desire
to be invisible.


April 19th-Tautology
The wind slowly picks up
as the day grows long, but upon
sunset it dies down. Spring in
New Mexico means winds and the
slow climb to hot weather--which
will happen here a month before
Summer officially begins.   Calendars
don't make much sense anymore--we're synced
up to some clock that measures time
by watching a  chunk of Cesium.
Cesium?  Really?   We might as
well insist on time by referencing
our cell phones.


April 20th
This is the unofficial pot holiday.  I'm
sitting, drinking coffee and watching the
garbage man get as much garbage on
the street as in his truck. It's
hard to think about pot when
you aren't smoking it, eating it, dropping
it as a tincture, smearing it on as a lotion,
but wish you could.



April 21st
The timer on the hose kicks on
and the curled hose resembles a
caterpillar, Mel Gibson's crown of
thorns.  The yard is alive; spring
is here, and there is hope--the
Earth returns.  I look so longingly
for the months ahead, the longer days,
the return of time.  For every car, there
is a forlorn driver, task master whose day
cannot, can never look like mine.   I'll
take mine.   I say that with conviction.


April 22nd
In the desolate expanse of Western
Arizona, the south wind bucks
and jostles the rental car.   The
sun beats down, but the
air is cold.  Spring is windy
here too. An omen of change,
transformation, cyclical,
planetwide
exhalation or is it exultation.
Thoughts drift by as well.


April 23rd
The pend flows freely in the
wanton ways of trained,
flamed wordsmith.   Arizona,
you lack the willpower
to move-on, so just stop
trying.  Leave--you're a wedding
singer hired for voiceovers. You're
a crammed trunk on the freeway.


April 25th
Funny how the week looks like
any other from the Monday morning
perch.   And under the guise of the last
outing before reaching Albuquerque, the
Rio Puerco seems so far away.  Perspective
is an amazing thing--the signier signifier from
the viewpoint of signed, the hearer's
perspective that says semiotic
construction is insane while another is
mundane.


April 26th
Writing every morning is quickly
becoming a necessity--as much a part
of my daily routine as opening my eyes.
The day just feels different--some
how more complete, yet the day has
just begun.  This is a different sort
of meditation.  The Dalai-Lama may
prefer one that focuses on breathing,
but I'll take left handed penmanship.
Don McIver


April 27th  28th
Because the day started with such a bang, I
never found the time that was quiet
enough to seem right.   This practice
is best done in the morning mind, a trickle
on a summer morning, the quiet of a
Sunday morning, the stillness of a
late night graveyard.   Quiet, stillness,
defined as much by what it's not
as by what it is.  Morning mind awakes.




Left Handed Artistic Statement

When I started this, I didn't really
have expectations.   It was sort of an
exploratory hypothesis, a visual
document of my braining learning how to
control muscles in a new, yet familiar
way.  What surprised me was how
visually the entries tease and
entice me in thinking I've got this,
I could write this way only to have
the pen suddenly go dry, trip up on
something and I'm trying to retrace a
letter or complete a letter from
where I left off.  I can't
remember learning penmanship,
but I now know that it's more
complex than a word would let you
                                    believe.  May 1st

April 5, 2011

On Being a Writer

On Being a Writer
                I’m not sure why, but at an obviously weak moment when I was 17 years old I sat down at my desk and wrote a story.   And after no editing, revising, creative writing classes, or real encouragement from any real writers or teachers, no ambition, discipline or any reasonable degree of aptitude  announced –to myself mostly –and my best friend, “I want to be a writer.”
                I wish I’d never uttered that phrase.   Some ____ years later, I’m saddled with the weight of that phrase.   I had no idea what I was getting into.   I mean, this is America.  No one really writes anymore, or at least how I imagined writing to be.   Stephen King or Mary Higgins Clark don’t write; they work:  8 hours a day, complex formulas, books out on deadlines, book tours, etc.  
                I wanted to write.  I wanted to sit down at the typewriter and see the words pour from my fingers as if they were a magic spell, as if each word had the marking of genius on it.   Surely with enough literature under my belt, I’d be destined for some faculty office at some state university spending my time talking about “Kerouac’s Nation of Underground Monsters” and how they shaped our perceptions of artists today.  I wanted to be a part of the literary dialogue.
Now dig this:   I’m sitting in a coffee shop on Central and I’m a little shocked by what I just saw on the walk over.   A white truck with a black dog in the bed pulled out in front of this green Saturn and was struck by it and spun around ninety degrees.  The dog became a cart wheeling bundle of black fur and twisted and turned in the air for a good twenty feet.   None of the people were harmed, and the cars – good old disposable cars – who cares.  But the dog – he trotted back to the truck and jumped into the bed like nothing happened.

Now I can’t get the image out of my head, this black mass flipping and twisting in the air and I’m almost glad I didn’t see him hit the pavement, and I couldn’t stop and say I was a witness and give my name and address because I kept seeing this bundle of black fur that I didn’t even realize was a dog at first flying through the air in a mass of legs and paws and I’m supposed to write about Kerouac.  I’m supposed to write about the disjointed style and verbal barrage of The Subterraneans when all I see is the black fur flipping and twisting and that image is juxtaposed against an image of my own black dog running out into the street and hitting a car and running back inside and dying on my living room floor.  And I’m supposed to write about Kerouac when I can’t help but shake and freak out.

Take this image from my mind Jack.   Take it with you on the road and you and Cassidy can mull it over and talk about how grand it is as you plow through the eternal present of 40’s America.  And I wonder if you could write fast enough Jack.  I wonder if the very act of writing is counter to Zen because you have to absorb the world then spit it back out.  Then why write?   Why write Jack?  Answer me that.
I wanted to be Jack Kerouac.
And I wanted to get paid having serious conversations with serious people about serious subjects, and I wanted to bullshit my way through it.   I wanted to get paid spouting bullshit.   Bullshit has done a lot for me.   I basically bs’ed my way through high school, much of my college career, and even a teaching certificate.   I’m allowed to teach kids, really.    And this doesn’t strike you as strange?

The Joint


Impossible to ignore,
the joint,
perfectly tapered and rolled,
leered at me from behind my wallet
or was it in my wallet?
I'm not sure, and I want to be sure.
Because if its mine,
then I want to spark it right now…,
drag the smoke into my lungs,
dilating alveoli,
galloping blood and adding THC to oxygen
until the world gets...higher
and grays melt into shades of darker gray and hues of dirty whites,
hints of purples, touches of blues
and I'm pulling my car out onto the highway
putting some Pink Floyd, Ozomatli, Robbie Robertson in
and feeling the engine rev below me
like the world has become a cross section
and I'm am looking at it...
sideways.
Unadulterated joy; unattenuated ecstasy; pure bliss.

But maybe this joint, perfectly tapered and rolled, is not mine?
In all my years of smoking
I've NEVER lost pot, marijuana, ganja, bud, dope, reefer.
NEVER.
It’s like the part of my brain responsible
for remembering where my pot is located is cordoned off,
walled in, surrounded by a gator filled moat
with a neon sign bursting from behind the ramparts
and announcing,
"Your pot, marijuana, ganja, bud, dope, reefer is here."
And it’s possible it’s not.
Because this is not my house,
and the bed that I am sleeping on is not mine,
and there's a Bob Marley tapestry hung from the wall
and it includes his name being spelled out in pot leaf configurations.

You see, I'm a traveling poet,
so I go through periods where couches,
guest bedrooms,
carpeted floors,
recliners make do and I'm sleeping in a stranger's house.

I'm in a cluttered house of a four corners poet,
whose teenage daughter is away,
and I'm on the daughter's bed
and I think this perfectly tapered and rolled joint is hers.
It has to be.
And there it is on the nightstand,
as if it was placed there just for me,
yet this poet,
most certainly her daughter,
doesn't know me well enough to know
that a gift joint
would be greatly appreciated. 
But the idea that it’s a gift doesn't seem right.

And now I'm wondering if I should tell Mom about the joint.
But I'm not Nancy Reagan,
and telling mom that her daughter smokes pot doesn't feel right
and it also feels like its so obvious that mom has to know.
After talking with her the night before, she's too much the realist not to suspect,
if she doesn’t know for sure,
that her daughter, Bob Marley hung from the wall, smokes pot.
She has to know, and I don't want to tell her.
I don't.
Telling her starts with the assumption that she doesn’t know how to raise her kid
and that I do.
And I don't. 
I don’t.

So I leave it, pack my bags, and set out on the road.
Just the thought of pot makes the sky turn a variety of gray
as snow starts to fall and I head up Wolf Creek pass.
My front wheel drive car starts to spin out,
but gets me up and over this nasty road not enjoying the music
but trying not to lose control in a world
that suddenly seems quite hostile
and not at all the kind of world I'd want to be stoned for.

Every time I was up in front of kids, they’d ask me if I smoked pot.   And I could lie, bullshit.   And they’d believe me.  I’m really good at sounding convincing – it’s one of my talents.   Hell, I got promoted in several jobs because I sounded like I knew what I was talking about. 


                Every novel I’ve written, and I’ve written three, is padded with bullshit.   My first novel was

about a private detective hired to find a mom who’s skipped out on her marriage for the hell of it:

On the other side of the plate glass a punk gazed out on the heavy traffic.
Perched, like a parrot, on his shoulder a Sony boom-box blasted the latest
popular rap song.

Can you smell that?  It’s not like I know any private detectives, so I’m channeling Humphrey Bogart?  I saw The Maltese Falcon, once, and now I’m an expert on the “Private Dick.”   A novelist?  Right?  
Not!
Okay.   Okay.  Maybe?   But you can’t write mysteries where things happen for the hell of it.   You can’t.   That defeats the whole point of the genre.  Maybe a real writer could write a mystery where the solution was “shit happens?”  But me?  I should probably stick to stuff that I know.   But, I don’t really know anything; I just sound like I do.
The Blank Page

The blank page
is
undeniably white,
maybe lined,
frayed around the edges
or blue bordered
with common
icons.
But the mass of it is
blank,
like the night sky is mostly empty,
a vacuum,
and the space between nucleus
and orbiting electrons
is empty.
As if it too is waiting
for me
to create upon it.
Nevermind,
that this line
doesn’t use the full margins,
and this font
means that “O”
is set apart
by more
white
than black.
Creativity
needs
empty space,
a hollow chamber,
a background
and a foreground
a quiet house,
with the radio turned off,
the stove simmering
brown rice
and the phone messages returned.
Creating poetry
is
about silence,
not words,
not rhythm,
rhyme,
or conceit,
but listening to silence
and
plucking
the poem
as if it were a blooming dandelion
and blowing parts of it
upon this
blank page
and hoping some of it would grow.
                I took a class – only the third time I’ve taken a writing class.   And you know what?   Real writers, as a rule, are lousy teachers.   And I know, after getting my teaching certificate that writing is one of those skills that takes a long time to master and there is not one sure-fire method for teaching it.   Yet, I sign up for a class that’s offered in the back of Writer’s Digest or offered through Continuing Education, you know:   “Write the novel you’ve always dreamed you’d write!...” and all on a Saturday afternoon.  Most of the time these classes were for people who were writing but just didn’t know what to do next.   Part of the game is finding your audience, figuring out if the world is going to “reward” you by publishing you.   You know my last writing teacher told me this, “You’ve got to write every day.”   That’s it, his basic advice.
                “You’ve got to write every day.”   That’s what I paid for?   I just paid three hundred dollars for you to tell me I’ve got to write every day.   Maybe you could tell me how to brush my teeth too?   “You’ve got to write every day?”
                Yeah.  I know.   Writers write.   Yet, I’d go through these spells where I didn’t write at all.    And the thought of writing, but not sharing it with anybody is a little frustrating.   When I finished my third novel, after 4 years, I never wanted to write again.   I’d spent 4 years trying to convince myself that I was a writer, and I didn’t want to show it to anybody.  But if I didn’t show it to anybody, what the hell had I been doing with my life.   I hadn’t put myself on any other career path.  I just wanted to be a writer.    And now, at ____________ years old, I’m starting to question the whole idea.
                Why couldn’t I have decided I wanted to be a basketball player?  
                At least by 24 you know whether you’re going to make it as an NBA star or not.  
                 But writing?   The world is full of stories of writers who don’t “make it” until after they’re dead:   Henry David Thoreau published 2 books by the time of his death and during his life was considered sort of “weird.”   Edgar Allen Poe died basically penniless on my birthday in 1849.   Emily Dickinson published seven poems in her lifetime, seven.   Franz Kafka’s best work wasn’t even published until after his death.  There’s a whole website dedicated to “late-blooming novelists.”   That’s people over fifty.   Over fifty? 
                The world is full of stories of writers who don’t make it until they’re in their fifties.   So if I give up now, then when I hit fifty, I’m gonna start asking myself, “What if I’d stuck it out?   Maybe the world just wasn’t ready for my kind of stuff yet?   Maybe I just haven’t met the right people?”  You can spend your whole life writing and still not make it and suddenly, a week after you die, they discover you.  I could die poor, reams and reams of unpublished stories that I cart from house to house, and still not amount to a thing.   And then, suddenly, upon my “untimely” demise, I’m found and discovered brilliant.   What kind of crap is that?
                So you see the riddle I’m faced with in my rapidly approaching middle age?  Do I write and hope that someday I’ll make it?   I’ll produce something that someone with a little bit of money will buy and invest in and suddenly I’ll be on the career path that I chose?   And if I’m never “discovered” do I continue to write even though my teeth are falling out of my head, my finances are burying me under a mountain of bills, and I’m slowly accumulating a long list of ex-girlfriends who hate me because I wrote about our relationship?  
You’re Nuts
This one is dedicated to my ex-girlfriend.
It’s called “You’re Nuts.”
When the salted peanuts stale and the cashew and pistachios start to mix and match in the bowl,
I will think of you.
When the soft caress of a female voice starts to crack the shell covering my heart,
I will think of you.
When the Payday starts to sour and the taste of another girl’s kiss reminds me of the late night kisses,
long embraces, times I spent with you, I will remember your hollow shell
and I will think of you.
You’re nuts.
You’re the cashew that cracked upon hitting the floor,
the black peanut on the bottom of the bag,
the pistachio that only opens when bitten between molars,
the brazil nut that is ground up in cheap sorbet,
the rotten walnut that spoils the carrot cake,
the “chestnut roasting on an open fire” that goes up in flames and burns the house down at 5 AM;
you’re the bag of corn-nuts that’s been stuck in a bus station vending machine for 3 years,
the almond in a candy bar named “Almond Pain;
you’re Tom Green’s gonad that’s been removed on live television.
You’re nuts.
You’re nuts.
You’re nuts!
You really are.

                What kind of life is this?   What if this is the story I’m supposed to tell?   What does that leave?   Because you see, I want stuff.  I want a new computer, a new stereo, my own house, a Camaro I can trade in on a Corvette.  I want a 401K, a retirement plan, a dental and medical plan, a health club membership, 2.5 kids, a riding lawn mower.
                And writing, unless I’m sort of inhuman machine and can crank out book after book, ain’t gonna do it.   Writing ain’t gonna do crap.  
Underwater
I want to write a poem that can be understood under water,
that can be listened to half submerged with just your eyes,
nostrils,
and mouth a part of air.
Your lover holds you
the poem is transmuted through the filter,
the long slow sound waves through liquid
no louder than your breath,
which at times is the loudest sound you hear.
Your skull's an echo chamber
as you realize even your breath carries a tune,
varies pitch and frequency.

I want to write a poem that would announce the coming of a tsunami,
a hurricane of thought as the words lack clarity,
a series of vowel sounds.
In the water, the consonants don't make sense:
a "K" sounds like an "A,"
a "T" is nothing more than an "E."
I want to write a poem that does this,
yet also says, "I love you,"or "This shit is fucked,"
or "Let me tell you about somethin'" under water,
where fish can rise and say, "That is deep," and want to cry.
And may be they do cry?
You'd never know,
cause your bodies submerged in tears as well.
                I surrender.   I like to write.  I need to write.  I like to get in front of people and read what I write.  Occasionally, I write something that makes people laugh.   But, sometimes in moments of distress, like when my teeth hurt, another bill collector gets my new number, or yet another girl dumps me, I wish I’d said, “I want to be a micro-systems analyst,” or “I want to administer Novocain to struggling artists.”  But I didn’t.  After that story, at 17 years old, I announced, “I want to be a writer.”
A writer.
I'm a writer.
I'm a writer.

April 1, 2011

Far Beyond These Prison Walls

Finally putting this one up here.

Far B3y0nd Th3s3 Pris0n Walls

H3y, T3d!
T3d!
Wak3 up!
D0 y0u h3ar that v0ic3?
that dis3mb0di3d v0ic3?
+
Star3 0ut th3 wind0w.
D0 y0u s33 th3 sm0k3 3nv3l0ping skylin3s?
th3 fir3balls 3rupting fr0m high ris3s?
      th3 str33t signs buri3d und3r rubbl3?
      th3 airp0rts and r0adways b0ttl3d up with tanks?
=
Th0s3 ar3 f3nc3s and walls s3parating n3ighb0rs,
           w0rds flashing fr0m signs,
bursting fr0m radi0s,
                            B00MING fr0m l0udsp3ak3rs.
/
D0 y0u s33 th3 primary c0l0rs paint3d 0n 3v3ry str33t c0rn3r?
th3 g30m3tric patt3rns and shap3s us3d 2 3ntic3?
th3 numb3rs in fr3qu3nci3s,
angl3s in buildings,
f0rmulas in tr33s?
D0 y0u r3c0gniz3 this w0rld
wh3n y0u 3m3rg3 fr0m y0ur cabin?
D0 th3 w0rds fl0wing 0ut 0f y0ur p3n mak3 it m0r3 san3?
Ar3 y0u alarm3d?
Y0, T3d?
Ar3 y0u insan3?
B3caus3 th3y'v3 lab3l3d y0u T3d:
#
Brilliant Math3matician                             Paran0id Schiz0phr3nic
Int3ll3ctual                                               Mad man
%
T3d?                              Th30d0r3?
D03s y0ur m0th3r call y0u "T3ddy?"
Balanc3 my ch3ckb00k T3d.
What ar3 th3 0dds 0f y0u g3tting fr33?
Will this n3xt card b3 an ac3?
D0 y0u stay up all night trying t0 r3cr3at3 h0w Hipparchus
figur3d 0ut math3matically th3 3arth was r0und?
H0w by n0ting th3 angl3 0f th3 sun,
th3 p3tr0glyph lighting up 0n just th3 right day,
th3 additi0n,
subtracti0n,
multiplicati0n,
kn0wl3dg3 rising 3xp0n3ntially
until th3 id3as b3c0m3 a dis3mb0di3d r3ality,
s3parat3d fr0m r3ality,
a r3ality y0u pr0c3ss by math3matical signs?
$$$
Y0u'v3 b33n r3duc3d 2 a f0rmula T3d.
a string 0f numb3rs,
variabl3s in an alg3bra that d03sn't add up,
may n3v3r add up.
Th3y'v3 assign3d a variabl3 2 y0u,
r3duc3d y0u 2 an 3quati0n,
a string 0f numb3rs that mak3s s3ns3 t0 y0ur M0th3r,
y0ur br0th3r,
th3 victims 0f y0ur crim3s,
s0ci3ty.
+
Y0u'r3 alg3bra....that....d03sn't add up.
an 3quati0n....that....d03sn't c0mput3.
a spr3adsh33t.....that....d03sn't quit3 balanc3.
a PARAN0ID SCHIZ0PHR3NIC,
MATH3MATICIAN,
S3rial KILL3R,
B0MB3R,
UNA       B0MB3R.
=
H3y T3d!    LIST3N UP!
0v3r a span 0f 7 y3ars,
y0u, a Harvard 3ducat3d math3matical pr0digy,
kill3d 3 p30pl3.
Th3y w3r3 victims in y0ur  man r3b3lli0n against m0d3rn s0ci3ty,
but,
%
I'm a v0ic3 in y0ur h3ad T3d.
I'm a v0ic3 in y0ur h3ad.
I'm a v0ic3 in y0ur h3ad T3d.
I'm a v0ic3 in y0ur h3ad.
T3d.
T3d!
T3ddy.
Th30d0r3.
Ar3 y0u h3r3 "sicki3?"
"Psych0? Fr3ak Sh0w?
"Crazy man?"
Hugh Scrutt0n's n0t h3r3.
Th0mas M0ss3r's n0t h3r3.
Gilb3rt Murray's n0t h3r3.
Y0u....killl3d...
Y0u d0n't trust......th3 syst3m,
but th3 syst3m said y0u w3r3 2 crazy, 
2 crazy t0 kill y0u.
Psychiatrists, th3 s that y0u f3ar,
put y0u away,
dismiss3d 3v3ry thing that y0u st00d f0r as ludicr0us, friv0l0us, madn3ss.
/
I'm a v0ic3 in y0ur h3ad T3d.
I'm a v0ic3 in y0ur h3ad.
Y0u'v3 b33n divid3d by z3r0.
W3'v3 b33n divid3d by z3r0.
L00k ar0und.
Y0u'r3 a victim.
W3'r3 all victims.
All 3,228 p3rs0naliti3s ar3 victims 0f y0u.
But n0w....
       w3'r3 3v3n w0rs3 0ff than b4.