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March 29, 2011

The Day the War Began

Originally written shortly after the protest in 2003, an audio of this was broadcast on KUNM on the year anniversary of the war's inception.

Hopefully, reasons for writing about this will become fewer and fewer.

The Day the War Began.
            Three deep and two dozen across, the Albuquerque police department blocked eastbound Central Avenue. They wore Army fatigues, gas masks and helmets, held black batons, yet had no badges or name tags that identified each as a person, an individual. Judging from the surrounding army of police cars and police horses, and the four cruisers that closed Central further to the east, their function was clear. Not only do the authorities want to silence dissent, but they want to keep those not politically vocal from becoming aware of dissent at all.
            One of the cops held what looked like a toy water cannon and swung it back and forth across the crowd. The gun shook and he looked over to his right and then his left as if waiting for the right provocation.
            Behind me, in the westbound lane, the crowd dispersed, moving off the street and onto the sidewalk. Most of the protesters now lined Central. A few of them, too few, sat down in the street. They looked around, suddenly realizing the support that was there seconds ago had dispersed, leaving them a small half dozen against the line of police.
            To my left, some sort of gas canister rolled into the crowd blocking the Frontier restaurant. With gas billowing from the canister, the crowd ran back away from the restaurant, into the street and onto the other side of Central. A protester, clutching a bandana over her mouth, picked up and rolled the canister back toward the line of police.
            The rain began to fall.
            I walked up to the now lone protester and leaned up to her and said, “You can get off the street.”
            She nodded, but stood there.
            Suddenly, the nervous cop grabbed me and pulled me towards him then pushed to his right.
            I didn’t resist, but moved with him and found myself seeing the protest from his vantage point. The angry crowd yelled and chanted from the side of the street. Whoever had lead the protest had either abdicated that responsibility now or become just another face in the mob. Chants of “Shame on you, shame on you,” emanated from a smaller and smaller crowd. Cops were everywhere, lining Central, blocking off Cornell, barking orders from horseback and waiting. I moved over to the sidewalk and looked out onto the street.
            She was standing alone in the middle of Central when he opened up with the gun. Armed with bean-bag pellets, the cop fired one after another into her body as she crumpled and fell.
            My eyes burned as I stepped out into the street. No one approached me or, from what I could tell, even noticed me as I walked across the street to where she was lying.
            She writhed in pain as I bent down and asked, “I’m Don. Is anything broken?”
            She shook her head “No.”
            “Can you stand up?”
            She moved around and then, grabbing my arm for support, pulled herself up. We walked over to the corner and she slumped under the stoplight.
            I bent down with her. “We’re in front of the Frontier now.”
            I glanced around and stared at the line of police. Blocking the entrance to the Frontier, a small female cop with blonde hair bleeding out from beneath the fatigues, looked around at the other cops.
            She could be my sister, I thought to myself. Having just graduated from the academy a year before, my little sister is a cop in Denver. Certainly she was doing this very same thing, or so I thought.
            Protesters were yelling at the cops, indiscriminately. On the last rainy day of winter, the cops of the city of Albuquerque were an army, and neither of us knew what we were doing or what was going to happen next. The real authorities were on the other end of phone lines, talking to the cops on horseback or standing next to cars, trying to coordinate a situation that had gone horribly wrong. The citizens of Albuquerque were in a stand off with the cops of Albuquerque. Somebody’s brother held a baton. Somebody’s sister yelled, “Shame on you,” and curled her hand into an accusing finger.
            I leaned over to a screaming protester who I knew and said, “They’re just doing what they’re told. Heather! They just want us to go home. We’ve made our point.”
            But had we?
            What I only partially realized last March is much clearer now. In my concern for the lives of innocent Iraqis, I’d taken to the street. And on the street, seeing the show of force by the Albuquerque police department, I’d lost track of the police’s humanity. They became the man, a machine. And, judging by their reaction, I became a rioter, a possible looter, a criminal. I’m still opposed to the war, but find myself making excuses for not speaking out. I’m afraid, and effectively silenced.

March 28, 2011

Villanelle

I'll try my hand at villanelle.
Haiku, Sonnet, Sestina, and Pantoum,
some lines work, the others not so well.


It's not as if I'm not fond of form.
So I wait, only to sit, confused, in this bare room.
I'll try my hand at villanelle.


In the background, there's music, a busy road, and the air is warm
Mindy moves around me, sweeping with a straw broom,
Some lines work, the others not so well.


Writing lines out of order is usually not my norm,
but out of this planting, perhaps, please something bloom.
I'll try my hand at villanelle.


The task is clear; the words transform
Is this for me or something I give to whom? 
Some lines work, the others not so well.


So dear poet, do you hope to start a swarm,
a piece of art to ponder and to groom? 
I'll try my hand at villanelle.
Some lines work, the others not so well.

March 12, 2011

March 25, 2011

Standardized Patient


            Under the white hospital gown, I am wearing underwear and I'm waiting for the Doctor. The room is bare; next to the ceiling a small digital video camera is trained down to film my next interaction.  
            Despite what it looks like, I'm not a patient and I'm not really visiting a doctor. No: I'm a standardized patient at the university medical school, and am administering a test to medical students. Today, I'm a patient with a "Duodenal ulcer" and I'm in a lot of pain.
            As third-year students, they are to interview me, obtain a relevant medical history, perform a simple diagnostic examination, make an initial diagnosis, explain a treatment plan, and do it all within 15 minutes while I grudgingly answer and make sure they understand how much pain I'm in.
            As a standardized patient, I am one of four actors playing this case. It's a strange job, and one I had no idea my limited training as a Dungeon Master and performance poet would uniquely qualify me for. I've never acted. My one try-out for the high school musical happened when I was having an allergic reaction and my voice sounded like I'd swallowed rocks. So, to think that I'd be able to put "actor" on my resume at some point, still surprises me.
            This case is one of my favorites. Most of the time, we've covered all the bases in training and some of the questions they ask, "Does it hurt when I do this?" or "When did this happen?" are merely routine. Occasionally, however, they ask questions we haven't anticipated, and then I'm  to respond the best I can not straying too far from the character but also not giving up any relevant information they should be finding on their own.
            They know I'm a standardized patient, know that they are being tested on certain things, and know that I have the test, essentially, memorized. But, I'm also acting a part and thus just answering as this patient naturally would, "No. I don't have a drinking problem. I drink a couple of beers after work every day, and more on the weekend, but that doesn't have anything to do with my pain. And yes, I smoke, but only when I drink. And can we speed this up? Can you give me something for this pain?"
  

March 24, 2011

On Listening to the Heliocentric Worlds of Sun Ra Vol. 2




I imagine at the time,
that other Jazz heads,
thought him egocentric,
when he put his picture on the cover right next to:
Da Vinci, Copernicus, Pythagorus, Galileo, and Tycho Brahe.
He wasn't even a Renaissance figure or scientist,
but Heliocentric was the theme,
and listening,
you wonder how “out there” he must have been.
The more I listen,
the more I believe he just might've been an alien.
I know words like "dissonance,"
"asyncopation,"
"space,"
"exploration"
must've been regular ways he communicated with his band.
"Go there brother.
Feel it brother."

This is not jazz for massage;
this is jazz to drop a hit of acid to,
smoke some tea,
dim the lights,
turn it up really loud,
and just float.
It's the sound of empty space,
where the only sound is the various sounds,
you think you hear.
You don't hear them, because it is space and space is a largely a vacuum,
but your brain,
always listening hears it,
so it must exist.

I'm barely a month old when Sun Ra records this disk,
orchestrated noise,
scripted chaos,
Communicating sound without words.

March 23, 2011

Password


Verizon Wireless
Qwest Telecommunications
Voicemail Pin
Bank of the West
ATM Pin
Credit One Bank
Credit Card Pin
World of Warcraft
Curse.com
Wreck List Forum
Guildwatch
Dell
Gmail
UNM
UNM Pin
CNM
Computer
Rhapsody
Banner at CNM
Comcast
Netflix
Yahoo.com
Delicious.com
Modem
Donmciver.blogspot.com
Poetry Slam  Forum
Facebook
My Space
New York Times
Washington Post
Albuquerque Journal
The Nation
Daily Kos
Travelocity
Orbitz
Cheap Fares
Amazon
Ebay
Performance Bike
Rei
Rolling Stone
PRX.org
KUNM.org
Feedburner
Linkedin
Hulu
Duke City Fix
Presbyterian Healthcare
Zipcar
Trails.com
Radiohead.com
You Tube
Vimeo
Go Daddy.com
Digg
Copy Machine at work
Garage Door Pin
Forgot my password.
I wonder why.
December 19, 2010

Don McIver
1801 Gold Ave. SE
Albuquerque, NM 87106

March 22, 2011

Hobo Ho


Track 5 on Charles Mingus' Let My Children Hear Music
Arranged by Charles Mingus and dictated to Bobby Jones. Conducted by Sy Johnson.
·         1,7: September 23, 1971, New York City
·         5: September 30, 1971, New York City
·         3: October 1, 1971, New York City
·         4: September 23-November 18, 1971, New York City
·         6,2: November 18, 1971, New York City
With
  • Lonnie Hillyer, Joe Wilder, Snooky Young, & Jimmy Nottingham - trumpet
  • Julius Watkins - French horn
  • Bobby Jones & James Moody - tenor sax
  • Charles McCracken - cello
  • Charles McPherson & Jerry Dodgion- alto sax
  • Sir Roland Hanna & Jaki Byard- piano
  • Jimmy Knepper - trombone
  • Charles Mingus, Ron Carter, Richard Davis, & Milt Hinton - bass
  • Dannie Richmond - drums




Hovering
somewhere
within the confines of my early memories,
his name haunts me.

As if it hovers on the edge of my peripheral vision,
only noticed in sudden movement.

As if it is a memory before a known vocabulary to describe it.

As if it is a dream at four, where I wake up,
then roll over and go back to sleep,
And then remember at seven that the dream was disturbing
but I’m not sure why.

A name that I knew,
A sound I was drawn to,
An oddity whose temper was only matched by his gifts.
An egotistical bass player,
whose compositions challenged every one who played them.

Was he more of the swing era-Duke Ellington
or Be-bop-Charlie Parker?

Mixed blood oddity.
Half white/half black father lit out for LA from Arizona
Hooked up with a half Chinese/half Swede woman
who died when he was young.
Raised by a half black/half Indian woman,
he wanted so much to fit in,
but realized he never would.

How strange that he would pick an instrument
that’s rarely played alone?

Yet he became a band leader anyway.
Commanded the stage with the musical heartbeat,
Maintain the line.
Trust his sonic vision.

He told his only son that he was no color too,
and it's true.
He had a white mother, yet sports his father’s looks, but shy,
as all children of geniuses tend to be.

How do you live up to genius in your own life?
Let alone when the genius is your father,
and he sucks attention out of the room.

1979.
Lou Gehrig’s disease.
Peak of mental prowess,
his body just couldn’t take the abuse anymore,
couldn’t pull the bow across the strings,
stretch stubby fingers over wide frets and play that music,
so challenging,
that it became physically impossible.



Aging is cruel Charles Mingus, you “angry man” of jazz.
Mingus you wish your body was young again
So you could do the things you would excel at now because of time.
To play music, make love with the wisdom of age,
but stuck with a body that is old.

Ah Mingus, you’re no clown.
In your pork pie hat,
your children hear music,
sing blues and politics,
understand your dynasty
and sign off in epitaph.

March 19, 2011

Narrow

Narrow

Follow me here.
What if Einstein was right,
is right,
may forever be right
and we inhabit an infinite number of universes?
Get used to that word.
Infinite.
Infinite.
numberless
it just keeps going
in all directions for all time.
Good...and what if we're in the one, the uni verse, that knows the future.
We don't start shit, we just bet on what's gonna happen.
Always.
So even if you are not involved, you predict the future quite a bit,
that's you, your superpower if you will
and you're right a lot of the time.
Thus, you believe that you control the future.
There is harm or be not harm, that's it. No exceptions.
There is harm or be not harm, that's it. No exceptions,
cause that is the only way to get off this place...with infinitely infinite variables.
Do you see where this is headed?
We can bomb or not bomb; we can shoot or not shoot; we can watch or not watch;
we are the computer.
We're the universe waking to ourselves.

March 19, 2011

March 18, 2011

Haiku

1
Physical exam
white coat, latex gloves
cough please, bend over

2
If I plucked a fresh
flower to mean I love you.
There would be none left.

3
Above,  the snow falls.
Here it spots the street as rain.
Nature answers why.

4
This I know, my dad
has prostate cancer, and I
struggle with goodbye.

5
I didn't read your
Alibi haiku, but I wrapped
my dishes with it.

6
Still masturbating.
Though now at forty, I find
getting hard, harder.

7
Sex with me is like
laying on a basketball
for thirty seconds.

8
Look as this strange shape.
My belly is birthed from beer.
Lots and lots of beer.

9
Raven clucks his tongue.
Computer beeps its hello.
Two sounds this morning.

10
What a hangover!
Even the constellations
are really bright.